Information for the heart.

This gift is from a known and moving poet. Worth sharing.

(slices of sorrow beneath the moon)

How to Apologize

By Ellen Bass

Cook a large fish—choose one with many bones, a skeleton
you will need skill to expose, maybe the flying
silver carp that’s invaded the Great Lakes, tumbling
the others into oblivion. If you don’t live
near a lake, you’ll have to travel.
Walking is best and shows you mean it,
but you could take a train and let yourself
be soothed by the rocking
on the rails. It’s permitted
to receive solace for whatever you did
or didn’t do, pitiful, beautiful
human. When my mother was in the hospital,
my daughter and I had to clear out the home
she wouldn’t return to. Then she recovered
and asked, incredulous,
How could you have thrown out all my shoes?
So you’ll need a boat. You could rent or buy,
but, for the sake of repairing the world,
build your own. Thin strips
of Western red cedar are perfect,
but don’t cut a tree. There’ll be
a demolished barn or downed trunk
if you venture further.
And someone will have a mill.
And someone will loan you tools.
The perfume of sawdust and the curls
that fall from your plane
will sweeten the hours. Each night
we dream thirty-six billion dreams. In one night
we could dream back everything lost.
So grill the pale flesh.
Unharness yourself from your weary stories.
Then carry the oily, succulent fish to the one you hurt.
There is much to fear as a creature
caught in time, but this
is safe. You need no defense. This
is just another way to know
you are alive.

“How to Apologize” originally appeared in The New Yorker (March 15, 2021). 

Stillness

The heart is a camera of sorts, freezing images in its lens to look at again and again; a reminder of why we keep on going, why we are moved, why we turn again to what is.

In the Sufi tradition, the dervishes spin a meditation.

Rumi writes:

A secret turning in us

makes the universe turn.

Head unaware of feet,

and feet head. Neither cares.

They keep turning.

The Essential Rumi, translated by Coleman Barks
Watching

Listen, (Please?) The sound is lovely; forgive me if I also wax hopeful.

Neil Gaiman reads Leonard Cohen

Democracy

Leonard Cohen

It’s coming through a hole in the air
From those nights in Tiananmen Square
It’s coming from the feel
That this ain’t exactly real
Or it’s real, but it ain’t exactly there
From the wars against disorder
From the sirens night and day
From the fires of the homeless
From the ashes of the gay
Democracy is coming to the USA
It’s coming through a crack in the wall
On a visionary flood of alcohol
From the staggering account
Of the Sermon on the Mount
Which I don’t pretend to understand at all
It’s coming from the silence
On the dock of the bay,
From the brave, the bold, the battered
Heart of Chevrolet
Democracy is coming to the USA

It’s coming from the sorrow in the street
The holy places where the races meet
From the homicidal bitchin’
That goes down in every kitchen
To determine who will serve and who will eat
From the wells of disappointment
Where the women kneel to pray
For the grace of God in the desert here
And the desert far away:
Democracy is coming to the USA

Sail on, sail on
O mighty Ship of State
To the Shores of Need
Past the Reefs of Greed
Through the Squalls of Hate


Sail on, sail on, sail on, sail on

It’s coming to America first
The cradle of the best and of the worst
It’s here they got the range
And the machinery for change
And it’s here they got the spiritual thirst
It’s here the family’s broken
And it’s here the lonely say
That the heart has got to open
In a fundamental way
Democracy is coming to the USA

It’s coming from the women and the men
O baby, we’ll be making love again
We’ll be going down so deep
The river’s going to weep,
And the mountain’s going to shout Amen
It’s coming like the tidal flood
Beneath the lunar sway
Imperial, mysterious
In amorous array
Democracy is coming to the USA

Sail on, sail on 

I’m sentimental, if you know what I mean
I love the country but I can’t stand the scene
And I’m neither left or right
I’m just staying home tonight
Getting lost in that hopeless little screen
But I’m stubborn as those garbage bags
That Time cannot decay
I’m junk but I’m still holding up
This little wild bouquet
Democracy is coming to the USA

accidental capture (a gift)

Wild Wild West

Cattle Drive

This grainy old-time view is how I hope to display a world that is passing: two cowboys, a rare cowgirl, a couple of cattle dogs and a herd of 30 head. The next generation won’t see this happen. There are too many folk, too little land, too large a drive for money and power. Thus, the world changes as it always has.

Do not, please, assume I am denying change or supporting the meat industry. I am simply playing observer and noting the inevitability. Somewhere in the back of my mind, I wonder if we can play the part of guide in this process. Often the very idea of inserting myself into the maelstrom of change terrifies me. How dare I, how could I? Certainly there is very little that I know about the balance of man and nature, the balance of man and mankind. I wonder if it is simply the process of bringing authentic kindness to the process each time we move. This too terrifies me, as I am so inadequate to the task.

Hot Dusty work.

So I left the boys, girls, and dogs behind to travel another road, where my inadequacy will be forgiven, if it is ever noticed at all.

The land is dry here, the road is inches deep in the dust of a dry lake bed. The map is torn.

Perfect.

Road North

Other travelers have stopped here to discuss something, some story, some prayer. I stop and open up to what I see.

Sky, cloud, life.

Your Story

This basalt block holds the key to a mind long past. These images, tapped patiently into the rock surface, are thought to be as old as 12,000 years. I am caught by the truth that I will never know what the meaning of all this felt like for them. It is so simple to take a bit of poetry, a bit of some novel, and place myself within the perceived meaning. I realize though, that whenever I write, or read, or gaze at art, that the meaning slips here and there, never the same for artist or art gazer.

Really, this is the point. I do not wish my creations to have some kind of solid, inflexible meaning that will be prattled on about in a classroom. I want the bubble that exploded from my heart and mind to engender a bubble of yours. It is a form of touch. I reach for you and you return the gesture. There is a deep mystery in this, a beauty.

Stone Yard Biota

Here is a change of perspective. See the stone-yard biota above? This is the other side of the picture rock I just showed you. Moss and lecithin making its own lovely message heard above the roar of the universe. Here, below is hot spring biology with the same gambit.

In just such moments, it is the striving to understand that precipitates change within. There is no correct answer, there is only the quest.

Hot spring biota
Out Beyond
by Rumi
Out beyond ideas of wrong doing
and right doing,
There is a field. I will meet you there.

When the soul lies down in the grass,
The world is too full to talk about.
Ideas, language, even the phrase
'each other'
does not make any sense.

Trees that never give up.

Juniper fell in 1987 fire; note green branches!

Here are my few ‘wonder trees’ and a site that has brought many more forward. Take a look if you love them, they are uplifting: https://blazepress.com/2017/08/15-trees-that-wont-give-up-despite-all-the-odds/

Moving slowly forward, I seek the beauty in each little thing.

In the words of Rainer Maria Rilke:

"The core of every core, the kernel of every kernel,
an almond! held in itself, deepening in sweetness:
all of this, everything, right up to the stars,
is the meat around your stone. Accept my bow..."